2021人類學(xué)個人留學(xué)申請書范文
留學(xué)生活會極大地開闊你的視野、真實體驗多元文化、鍛煉獨立思考的能力、培養(yǎng)坦然面對勝利和失敗的心態(tài)，并且有助于你以更全面的眼光理解人性和社會。這里給大家分享一些2021人類學(xué)個人留學(xué)申請書，歡迎閱讀!
2021人類學(xué)個人留學(xué)申請書
Dear _,
I was the only sixteen-year-old in my first university classroom. It was one of those defining moments where I was painfully aware of how different I was from the people around me. I had not yet graduated from high school, and yet there I sat in a class on personal and social adjustment, feeling an odd combination of excitement and anxiety. I distinctly recall my heart pounding and my irrational fear that, at any moment, someone would inform me that I did not belong there. I was considered an oddity at my high school as the only student in the history of the school to attend secondary and postsecondary institutions simultaneously as a fulltime student. I was reminded of the fact not through vast support from my school's faculty, but through blatant vocal discouragement.
In an environment where a large majority of residents live below the poverty level, it must have seemed strange that I would attend university early instead of applying for employment. The initial hardships of my first year in college did anything but deter me from wanting to study anthropology. Indeed, the adversity I experienced only succeeded in intensifying it. My high school classes were rather cold and clinical in their teachings, maintaining a firm adherence to stating and memorizing facts with little or no attempt to have students engage with the material. My interest in culture and my natural response to analyze, question, and participate was stifled behind state standards. In contrast, my fascination with culture was able to proliferate in postsecondary schooling as a result of a liberal arts education and my own proposed course of study.
My early education in anthropology started with a historical glance at cultural theory through works of influential pioneers like Malinowski and Mead. I became fascinated by the theoretical framework involved in cultural exploration, especially how cultural beliefs and values play a role in the every day lives of individuals. During a class on ritual and spectacle, I drove headlong and enthusiastically into ideas of ritual importance and its impact on societies. The subjects ranged from the roles of wedding rites to funerals, and I analyzed certain ceremonies and assessed the meaning of their various components. Another class taught by the same professor took ritual metaphor and applied it to narrative. The course addressed European stories from an analytical perspective, and I examined well-known folktales to yield their ritual symbology. I found myself impassioned by the idea of exploring beyond the superficial guise of narrative and seeing it as a meaningful way of expressing a society's basic beliefs and ideologies. Immersing myself in the works of other inspiring anthropologists, I examined texts on narrative form and nature, ritual metaphor and the importance of storytelling in culture.
My interest in storytelling resulted in the subject of my undergraduate thesis. I decided to focus on American narration, specifically concentrating on expressions of masculinity in men's magazines. It discussed dialogue in magazines as well as in teen male group settings, focusing on the conceptualization and presentation of gender in both circumstances. My overarching approach examined how masculine identity in the media has evolved over the last century. I further presented how manly behavior was glamorized in the text from three contemporary men's magazines, and juxtaposed it with an ethnographic work about how young men communicate and assert their gender roles.
My thesis topic is slightly removed from what I would like to study in graduate school, but the process familiarized me with the prerequisites required for social research. These included a delay in progress by routine realities, such as gaining IRB approval to interview and observe minors, as well as being forced to dig through the vast sea of material on women's magazines just to yield the limited data done on men's publications. The college that I attended also emphasized the importance of organizing one's own curriculum during junior and senior years. It was an unrestricted program in which the student consults with sponsors and plans his or her own course of study. This program approached the undergraduate thesis with the same level of intensity and professionalism as a graduate dissertation.
For my thesis, I assessed my topic and its requirements, efficiently planning my eventual course of study. I organized tutorials with my sponsors and established necessary reading lists that would contribute to my progress. Tutorial discussions allowed me to gain a broad scope of the research process and solidify my thesis into working theoretical, cultural and ethnographic papers. I earned permission to conduct fieldwork at a local Boys and Girl's club, and was approved to interview and observe the interaction between teenage males at the club. For six months, I listened to the things they considered to be important aspects of masculinity and used my time there as one example of teenage suburban expression of larger societal gender roles. I was able to further gain a taste of the graduate dissertation process when I successfully defended my undergraduate thesis during an oral presentation to my sponsors and an outside examiner.
The liberal arts education I received has given me the means to approach social anthropology in a perceptive manner and to consider the various intricacies that influence and shape certain aspects of culture. These were abilities that grew and thrived in an educational environment that allowed me to think critically about topics in anthropology and choose my own course of study. I emerged from college not with textbook facts floating around in my psyche, but with questions, thoughts and theories. I believe it is my undergraduate liberal arts background that provides me with an aberrant and perceptive approach to cultural anthropology.
During my hiatus between undergraduate and graduate education, I was able to step back from the research that captivated me for two years in order to reevaluate my goals in anthropology. While my break did not include leaving school for an extended period, I used the time to once again study broadly in the social sciences. By taking courses in psychology and other areas of anthropology separate from my undergraduate focus, I challenged myself further through exposure to different material and contrasting teaching styles, thereby gaining an educated and informed understanding of my intended course of study for graduate school. My extensive consideration of anthropology and the combination of both my undergraduate and post-baccalaureate education has given me the means to approach graduate school in a thoughtful and perceptive manner. Additionally, this hiatus gave me the ability to devote necessary attention to choosing graduate schools that will both challenge my views of cultural identity and allow me to excel in anthropology.
Yours sincerely,
xuexila
澳大利亞留學(xué)申請文書怎么寫呢?
一、符合西方思維習(xí)慣
文化的差異導(dǎo)致東西方在什么是美德和優(yōu)缺點的看法上不盡相同。在以往的經(jīng)歷中發(fā)現(xiàn)，有些留學(xué)申請人表達出來的“優(yōu)點”實際上在西方看來是缺點，反映申請人對學(xué)術(shù)問題毫無主見;而有些申請人認為不好的東西恰恰是西方人所欣賞的，認為這些能表現(xiàn)出申請人充滿個性。所以申請人要了解如何以西方的思維方式取舍你的申請素材，把有益的亮點有選擇性地挑選出來，在適當(dāng)?shù)仄镎故境鰜怼?/p>
二、突出重點，主線明確
清楚有力地表達您的求學(xué)動機，和學(xué)習(xí)學(xué)術(shù)能力。在國內(nèi)有一種錯誤的觀點，個人陳述要“煽情”才能有效果。有的留學(xué)申請人就通過描述不相干活動展示“獨特”的性格，或是學(xué)術(shù)上感覺沒有什么可寫的，就寫自己考試時克服了重重困難，如何考取了好成績。這是根本不著邊際的寫法，會讓錄取者發(fā)掘不到你的特點。
要知道，個人陳述是要在很短的時間內(nèi)，清楚地用幾百字告訴招生教授你是入學(xué)非常合格的人選，盲目“煽情”完全不需要。千萬別描述你如何地歷盡劫難，別亂下結(jié)論，你不可能因為憤怒和苦難而脫穎而出。
三、結(jié)構(gòu)簡單，銜接緊密
留學(xué)文書怎么寫，留學(xué)文書其實是你個人的廣告。要重點突出，形象鮮明。仔細想想，留下深刻印象的廣告哪個不是簡明而富有創(chuàng)意的-許多申請人往往想把自己的全部優(yōu)點都寫出來告訴教授，覺得這樣才能全面的展現(xiàn)自己。但是試想一下，招生教授天天都要做大量的教學(xué)工作，還要抽出時間閱讀數(shù)量可觀的留學(xué)申請資料，只有那種簡單有力的文章才能讓人印象深刻。
千萬別對失敗找借口，解釋為什么沒有成功。最重要的是寫出你做了些什么來捱過挫敗，然而，除了疾病的不可預(yù)見狀況外，別為成績不好或糟糕的學(xué)期找借口。如果可能，請著重解釋個人挫敗怎樣賦予你新的態(tài)度，使得你堅定地走向成功。不要大肆渲染你的個人閃光點，只要著重在這種個人心跡揭示中寫出前因后果即可。
澳大利亞留學(xué)不同階段申請條件
一、低齡申請的條件
雖然很多的學(xué)生選擇的都是讀到了高中之后再去這里讀大學(xué)，但是一開始就到這里讀初中的也不是沒有，畢竟這樣能盡早接觸這邊的環(huán)境。
在澳洲里，中學(xué)是四年，而高中是兩年。學(xué)生在讀六年級的時候就能開始申請7年級了，同理初一也能申請8年級。但是12年級的就不能直接入讀的了，學(xué)生到了高二高三的階段還能直接讀預(yù)科。
中學(xué)部分的申請跟高中不同，這個時候的申請對于語言不會有硬性要求，只是學(xué)生得去讀它們的語言課程。但因為這個時期的學(xué)生基本未成年，所以學(xué)校一般都會讓家長來陪讀的。
二、預(yù)科的條件
為了可以讓這些留學(xué)生先適應(yīng)這里的教學(xué)，一般學(xué)校都會讓學(xué)生去讀課程，只有在完成預(yù)科后，才能知道自己是不是可以去讀原本計劃要讀的高校，要是成績比較好的話，去讀更好的大學(xué)都可以。
預(yù)科也是要有雅思成績的，一般都得在5.0以上，在預(yù)科中，還會按學(xué)生的雅思等等這些成績?nèi)^(qū)分要讀哪一種預(yù)科。
三、本科的條件
澳洲絕大部分的學(xué)校都可以用高考成績?nèi)ド暾?，?dāng)然其中也有各自的要求。像是八大一般都要到一本線，別的一些學(xué)校則有二本線以上就夠了。
那么要是高考成績不夠這些分?jǐn)?shù)線的，就可以去讀預(yù)科課程了。但是能在預(yù)科中讀多久，得看高考成績。要是語言不太好的，那么要讀的就是語言課程了，依舊是按照成績來確定自己的課程長度。
四、碩士的條件
在碩士上首先第一個要求就是雅思方面，一般是要高0.5分。當(dāng)然在學(xué)生的平均分上一般也會有要求的，但這個得看學(xué)生之前讀的是什么專業(yè)，如果是雙非的學(xué)校一般都得有90%以上。而且有些專業(yè)還有實習(xí)經(jīng)歷的要求。
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