電影私人訂制英文介紹

　　《私人訂制》是華誼兄弟傳媒股份有限公司2013年出品的喜劇電影，馮小剛導(dǎo)演，葛優(yōu)、白百何、李小璐、鄭愷聯(lián)袂主演，范偉 、宋丹丹、李誠(chéng)儒、王寶強(qiáng)、成龍等參演。2013年12月19日正式上映。

　　電影私人訂制英文介紹

　　“What you don’t dare imagine, we dare to do.” The slogan of Personal Tailor, Feng Xiaogang’s latest comedy project, not only introduces the film’s basic idea of “living a dream”, it also expresses the director’s ambition.

　　“你不敢想的,我們敢做。”作為馮小剛最新喜劇力作《私人訂制》中的一句口號(hào)，這句話不僅道出了該片的“造夢(mèng)”主題，同時(shí)也彰顯了馮導(dǎo)的野心。

　　Compared with his historical epics, such as Back to 1942 and Aftershock, which, to me, looked impressive but lacked a certain edge, I prefer Feng’s more satirical and humorous works that made him famous to begin with.

　　相對(duì)于他執(zhí)導(dǎo)的《一九四二》以及《唐山大地震》等歷史題材電影而言，我更喜歡馮導(dǎo)最擅長(zhǎng)的“老本行”——諷刺和幽默，盡管前者尚屬佳作，但卻并非獨(dú)樹(shù)一幟。

　　In that context, Personal Tailor took me back to an earlier Feng. The ingenious premise involves a small group of four people — Yang Zhong (Ge You), the “director of dreams” and his resourceful employees Miss Bai (Bai Baihe), the “fantastician” who designs dream scenarios, Lu Xiaolu (Li Xiaolu), the “caterer of whims”; and Ma Qing (Zheng Kai), the “spiritual anesthetist”.

　　在這一點(diǎn)上，《私人訂制》將我?guī)Щ氐今T小剛的早期時(shí)代。影片立意巧妙，圍繞愿望規(guī)劃師楊重(葛優(yōu)飾)及其“員工智囊團(tuán)”——“情境設(shè)計(jì)師”小白(白百何飾)、“夢(mèng)境重建師”小璐(李小璐飾)與“心靈麻醉師”馬青(鄭愷飾)組成的公司展開(kāi)。

　　For all their elaborate titles, however, they’re essentially members of a high-concept company, which provides regular — and wealthy — clients with a taste of the lives they have always wanted.

　　盡管他們的名號(hào)有些復(fù)雜，但本質(zhì)上都是一家?guī)推矫窈透蝗藞A夢(mèng)的概念公司的成員，該公司的目標(biāo)是讓客戶體驗(yàn)到夢(mèng)寐以求的生活。

　　In a series of separate segments, the team comes to the aid of a chauffeur (Fan Wei) who yearns for a taste of power, a “vulgar” film director (Li Chengru) who wants to become a high-culture artist, and a middle-class woman (Song Dandan) who dreams of becoming a billionaire.

　　片中分為幾個(gè)獨(dú)立章節(jié)，這支“圓夢(mèng)四人組”分別對(duì)渴望權(quán)力的司機(jī)(范偉飾)、立志追求高雅藝術(shù)卻俗不可耐的電影導(dǎo)演(李成儒飾)以及夢(mèng)想成為富人的“中產(chǎn)姐”(宋丹丹飾)施以援手。

　　Either as a therapeutic experience or something of a moral test, there are elements of satire and farce in each segment. Much of that is thanks to novelist Wang Shuo, who wrote the screenplay.

　　無(wú)論是心理治療還是道德測(cè)試的橋段，各章節(jié)都具備了辛辣嘲諷、爆笑十足的元素。而這大部分都要?dú)w功于該片編劇——作家王朔。

　　And as Feng’s films always do, it has a few impressive punch lines, such as “Fulfilling others by debasing ourselves”, or Feng’s playful self-parody “Chinese films, however bad, are never art.”

　　該片延續(xù)了馮導(dǎo)一貫的風(fēng)格，加入一些令人印象深刻的戲謔臺(tái)詞，例如：“成全別人、惡心自己。”及馮小剛戲謔自嘲的那句：“中國(guó)電影，無(wú)論多爛，都與藝術(shù)無(wú)緣。”

　　Jokes aside, Wang’s script grows increasingly serious, making modest yet satirical criticisms of China’s political, artistic and economic values in the process.

　　在種種笑料之外，王朔的劇本也變得越發(fā)嚴(yán)肅，在片中對(duì)于中國(guó)的政治、藝術(shù)以及經(jīng)濟(jì)價(jià)值進(jìn)行了一番適度而辛辣的調(diào)侃。

　　After all, the film is about “sending a message”. Coming from director Feng — a man with a big ego — that’s almost predictable. But maybe because Feng is too busy dealing with his ambition, the film never allows any of its four principal characters to really come into focus.

　　該片終究難逃“傳達(dá)信息”的主題。而出自自我意識(shí)很強(qiáng)的馮導(dǎo)之手，這也完全在意料之中。或許是因?yàn)轳T導(dǎo)疲于去實(shí)現(xiàn)自己的遠(yuǎn)大抱負(fù)，片中的四位主角形象顯得不夠突出。

　　The last 15 minutes of the film take a 180-degree turn and become almost a public service announcement — an odd and unexpected ending to a consistently surprising comedy.

　　影片在最后15分鐘時(shí)180度大轉(zhuǎn)彎，幾乎快成了一部公益宣傳片，為這部驚喜不斷的喜劇電影畫(huà)上了一個(gè)令人摸不著頭腦的結(jié)局。

　　That’s something I never dared imagine, but Feng certainly did it.

　　這是我從來(lái)不敢想象的事，但是馮小剛的確這么做了。