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初一年級(jí)400字英語美文摘抄

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初一年級(jí)400字英語美文摘抄

  閱讀經(jīng)典美文是拓寬思維、增長見識(shí)、豐富情感、涵養(yǎng)素質(zhì)的最有效手段。小編精心收集了初一年級(jí)400字英語美文,供大家欣賞學(xué)習(xí)!

  初一年級(jí)400字英語美文篇1

  Good Thoughts to Keep in Mind

  Imagine life as a game in which you are juggling some five balls in the air. You name them: Work, Family, Health, Friends, Spirit. And you're keeping all these in the air. You will soon understand that work is a rubber ball. If you drop it, it will bounce back. But the other four balls-family, health, friends and spirit are made of glass. If you drop one of these, it will be irrevocably scuffed, marked, nicked, damaged or even shattered. They will never be the same. You must understand that and strive for balance in your life.

  How?

  Don't undermine your worth by comparing yourself to others. It is because we are different that each of us is special.

  Don't set your goals by what other people deem important. Only you know what is best for you.

  Don't take for granted the things closest to your heart. Cling to them as you would to your life, for without them, life is meaningless.

  Don't let your life slip through your fingers by living in the past or for the future. By living your life one day at a time, you live all the days of your life.

  Don't give up when you still have something to give. Nothing is really over until the moment you stop trying.

  Don't be afraid to admit that you are less than perfect. It is this fragile thread that binds us each together.

  Don't be afraid to encounter risks. It is by taking chances that we learn how to be brave.

  Don't shut love out of your life by saying it's impossible to find. The quickest way to receive love is to give; the fastest way to lose love is hold it too tightly; and the best way to keep love is to give it wings.

  Don't run though life so fast that you forget not only where you've been, but also where you are going.

  Don't forget, a person's greatest emotional need is to feel appreciated.

  Don't be afraid to learn. Knowledge is weightless, a treasure you can always carry easily.

  Don't use time or words carelessly. Neither can be retrieved.

  Life is not a race, but a journey to be savored each step of the way.

  Yesterday is history. Tomorrow is mystery and Today is a gift: that's why we call it "The Present".

  初一年級(jí)400字英語美文篇2

  More Than One Way to the Square

  We were standing at the top of a church tower. My father had brought me to this spot in a small Italian town not far from our home in Rome. I wondered why.

  “Look down, Elsa,” Father said. I gathered all my courage and looked down. I saw the square in the center of the village. And I saw the crisscross of twisting, turning streets leading to the square.

  “See, my dear,” Father said gently. “There is more than one way to the square. Life is like that. If you can't get to the place where you want to go by one road, try another.”

  Now I understood why I was there. Earlier that day I had begged my mother to do something about the awful lunches that were served at school. But she refused because she could not believe the lunches were as bad as I said.

  When I turned to Father for help, he would not interfere. Instead, he brought me to this high tower to give me a lesson. By the time we reached home, I had a plan.

  At school the next day, I secretly poured my luncheon soup into a bottle and brought it home. Then I talked the cook into serving it to Mother at dinner. The plan worked perfectly. She swallowed one spoonful and sputtered, “The cook must have gone mad!” Quickly I told what I had done, and Mother stated firmly that she would take up the matter of lunches at school the next day!

  In the years that followed I often remembered the lesson Father taught me. I knew where I wanted to go in life. I wanted to be a fashion designer. And on the way to my first small success I found the road blocked. What could I do? Accept the roadblock5 and fail?Or use imagination and wits to find another road to my goal?

  I had come to Paris, the center of the world of fashion, with my sketches6. But none of the famous fashion designers seemed interested in buying them. Then one day I met a friend who was wearing a very beautiful sweater. It was plain in color, but it had a lovely and unusual stitch.

  “Did you knit that sweater?” I asked her.

  “No,” she answered. “It was done by a woman here in Paris.”

  “What an interesting stitch!” I continued.

  My friend had an explanation. “The woman her name is Mrs. Vidian—told me she learned the stitch in Armenia, her native country.”

  Suddenly I pictured a daring design knitted into such a sweater. Then an even more daring idea came to me. Why not open my own house of fashion? Why not design, make and sell clothes from the house of Schiaparelli! I would do it, and I would begin with a sweater.

  I drew a bold black and white butterfly pattern and took it to Mrs. Vidian. She knitted it into a sweater. The result, I thought, was wonderful. Then came the test. I wore the sweater to a luncheon which people in the fashion business would attend. To my great pleasure, the sweater was noticed. In fact, the representative of a large New York store wanted 40 sweaters to be ready in two weeks. I accepted the order and walked out on a cloud of happiness.

  My cloud disappeared suddenly, however, when I stood in front of Mrs. Vidian. “But it took me almost a week to knit that one sweater,” she said. “Forty sweaters in two weeks? It is not possible!”

  I was crushed to be so close to success and then to be blocked! Sadly I walked away. All at once I stopped short. There must be another way. This stitch did take special skill. But surely there must be other Armenian women in Paris who knew how to do it.

  I went back to Mrs. Vidian and explained my plan. She really didn't think it would work, but she agreed to help.

  We were like detectives, Mrs. Vidian and I. We put ourselves on the trail11 of any Armenians who lived in Paris. One friend led us to another. At last we tracked down women, each of whom could knit the special stitch. Two weeks later the sweaters were finished. And the first shipment from the new house of Schiaparelli was on its way to the United States!

  From that day a steady stream of clothes and perfumes12 flowed from the house of Schiaparelli. I found the world of fashion gay13 and exciting, full of challenge and adventure. I shall never forget one showing which was really a challenge. Once again Father's advice helped me. I was busy getting ready to show my winter fashions. Then just 13 days before the presentation the sewing girls were called out on strike. I found myself left with one tailor and woman who was in charge of the sewing room! I was as gloomy14 as my models and salesgirls. “We'll never make it,”one of them cried.

  Here, I thought, is the test of all tests for Father's advice. Where is the way out this time? I wondered and worried. I was certain we would have to call off the presentation or else show the clothes unfinished. Then it dawned on15 me. Why not show the clothes unfinished?

  We worked hurriedly. And, exactly 13 days later, right on time, the Schiaparelli showing took place.

  What a showing it was! Some coats had no sleeves; others had only one. Many of our clothes were still in an early stage. They were only patterns made of heavy cotton cloth. But on these we pinned sketches and pieces of material. In this way we were able to show that what colors and textures the clothes would have when they were finished.

  All in all, the showing was different. It was so different that it was a great success. Our unusual showing caught the attention of the public, and orders for the clothes poured in.

  Father's wise words had guided me once again. There is more than one way to the square always.

  初一年級(jí)400字英語美文篇3

  She Left Her Shoes

  She left her shoes, she took everything else, her toothbrush, her clothes, and even that stupid little silver vase on the table we kept candy in. Just dumped it out on the table and took the vase. The tiny apartment we shared seemed different now, her stuff was gone, it wasn't much really, although now the room seemed like a jigsaw puzzle with a few pieces missing, incomplete. The closet seemed empty too; most of it was her stuff anyway. But there they were at the bottom, piled up like they usually were, every single one of them. Why did she leave her shoes? She couldn't have forgotten them, I knew too well that she took great pride in her shoe collection, but there they still were, right down to her favorite pair of sandals. They were black with a design etched into the wide band that stretched across the top of them, the soles scuffed and worn; a delicate imprint of where her toes rested was visible in the soft fabric.

  It seemed funny to me, she walked out of my life without her shoes, is that irony, or am I thinking of something else? In a way I was glad they were still here, she would have to come back for them, right? I mean how could she go on with the rest of her life without her shoes? But she's not coming back, I know she isn't, she would rather walk barefoot over glass than have to see me again. But Christ she left all of her shoes! All of them, every sneaker, boot and sandal, every high heel and clog, every flip-flop. What do I do? Do I leave them here, or bag them up and throw them in the trash? Do I look at them every morning when I get dressed and wonder why she left them? She knew it, she knows what's she's doing. I can't throw them out for fear she may return for them someday. I can't be rid of myself of her completely with all her shoes still in my life, can't dispose of them or the person that walked in them.

  Her shoes, leaving a deep footprint on my heart, I can't sweep it away. All I can do is stare at them and wonder, stare at their laces and straps their buttons and tread. They still connect me to her though, in some distant bizarre way they do. I can remember the good times we had, what pair she was wearing at that moment in time. They are hers and no else's, she wore down the heels, and she scuffed their sides, it's her fragile footprint imbedded on the insole. I sit on the floor next to them and wonder how many places had she gone while wearing these shoes, how many miles she walked in them, what pair was she wearing when she decided to leave me? I pick up a high heel she often wore and absently smell it, it's not disgusting I think, it's just the last tangible link I have to her. The last bit of reality I have of her. She left her shoes; she took everything else, except her shoes. They remain at the bottom of my closet, a shrine to her memory.

  
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