關(guān)于攝影的英語文章閱讀
關(guān)于攝影的英語文章閱讀
攝影自誕生以來,就記錄下了世界上發(fā)生的重大事件。作為一個(gè)歷史的觀察者、社會的參與者,攝影與大眾新聞媒介的聯(lián)姻促成了一種面向廣大受眾、進(jìn)行影像敘事、關(guān)注社會人生的方式。下面是學(xué)習(xí)啦小編帶來的關(guān)于攝影的英語文章閱讀，歡迎閱讀!
關(guān)于攝影的英語文章閱讀篇一
俯看世界原來這么美!
It’s the new frontier of photography that is taking pictures to a whole new level – literally, Dronestagram is a new social media app hailed as 'Instagram for drones' and, now with over 30,000 users, the site held a photography competition earlier this month in association with the likes of National Geographic, Kodak, Go Pro, Adobe and some other sponsors, with a panel of judges going through over 5,000 entries to pick a selection of winners.
如今正是攝影的局限將照片拍攝提升至一個(gè)全新的水準(zhǔn)。Dronestagram是一個(gè)新的社交媒體應(yīng)用軟件。如字面意思所示，它被稱作“無人機(jī)的Instagram”，現(xiàn)有超過3萬名用戶。這個(gè)網(wǎng)站在這個(gè)月月初舉辦了一項(xiàng)攝影大賽，由《國家地理》雜志、柯達(dá)、Go Pro相機(jī)品牌、Adobe等類似其他機(jī)構(gòu)資助。專家評委將在5000多份作品中挑選出獲獎(jiǎng)?wù)摺?/p>
Founder of the app, Eric Dupin, said that despite the controversy that hangs over drones - specifically in terms of military operations and surveillance - there is no denying the incredible new angle the technology has allowed photographers.
這個(gè)應(yīng)用軟件的創(chuàng)始人埃里克·杜邦表示盡管無人機(jī)因被運(yùn)用于軍事演練和偵查而存在爭議，無法質(zhì)疑的是，這項(xiàng)科技給攝影師們提供了一個(gè)全新的角度，拍出震撼人的壯麗照片。
'Some people are scared about these flying machines because they don't know them very well and they just repeat what they hear from other people or the media,’ Dupin told CNN.
杜邦在接受CNN記者的采訪時(shí)稱：“一些人因?yàn)閷o人機(jī)知之甚少，便害怕這些飛翔的機(jī)器。他們只是在重復(fù)從其他人或媒體那聽到的內(nèi)容。”
'But most people I know and meet are fascinated by drones - particularly if they see a demo of what we can do in terms of photography.'
“但我所結(jié)交與遇見的大多數(shù)人都被無人機(jī)吸引，尤其是在看到我們展示的無人機(jī)拍攝照片時(shí)。“
Incredible: First prize in the 'nature' category went to this portrait calledSnorkeling with Sharks, taken on an island off Tahiti.
精妙絕倫：在“自然”類別上奪得桂冠的是這張稱為“與鯊共潛”的照片。它攝于塔希提島旁。
關(guān)于攝影的英語文章閱讀篇二
攝影與自然環(huán)境
Nature photography appeals to our nostalgiafor a time when we were more in harmony with the planet.
The old adage"a picture is worth a thousand words" needs to be rethought. More importantly, a picture can have the power to move a thousand hearts and change a thousand minds. Often, photographs bring to our eyes what we may have seen many times before, but not noticed. They can shed new light on the everyday and the ordinary. They can redirectthe course of our vision, so that we see, think, imagine and even, perhaps, act differently.
No doubt, one of the most pressing campaigns of our times is that for sustainabilityand environmental awareness. In the ruthless course of modernity, our approach to nature has been one of extractionand use. We urgently need to alter how we relate to the world around us and to re-educate ourselves in terms of the larger planetary scheme, hung, as it is, on a delicate ecological balance that is being dangerously disturbed by our many modern machinations in the name of science, technology, development and progress – and, dare I say it, capital.
Nature photography has become a potenttool in this struggle. Through it, we learn of the many others – the wondrousdiversity of flora and fauna – with whom we cohabiton this planet. It is also, as the Guardian's nature photography project reveals, a medium taken up by professionals and amateurs alike. So, what role does photography play in defining our relationship with nature? What do images of nature and wildlife tell us and why do we feel compelled to view them? Who among us has never been moved to snap a sunset on the horizon, a flowing river, a blossom in spring?
Our zealfor visually representing nature has a long and complex history. The adventof photography was celebrated as a milestone in the modernist quest to capture nature better. For early photography was largely devoted to documentary purposes and, in the apparent fidelityof its representations, the camera in the 19th century exceeded the naturalist drives of painters who, during the Renaissance and early modern period, tried to explore, and so tame, nature by rendering it into art.
Photography, however, is poised on a fine borderline between documentary and art. Never just one or the other, photographs can exceed the set frame. Moreover, the photographic frame can reveal the unsettling ability to extend and include us in its space. Photography is inclusive in its mediatoryrole. It extends covenants.
Often, nature photography calls on modern humanity's sense of nostalgia for a harmony between man and the environment. As John Berger has rightly stated, the way we see is conditioned by our history, and so it is that we may look at nature in terms of loss. As with the many images of the recent oil spilloff the coast of Florida, this can be founded in fact and so provoke a sense of culpability, a sudden awareness or questioning of our precepts and actions. Photographs lead us to rethink, to realignthe frame of our understanding.
The force of photography also lies in its playfulness. And by this, I mean the many overlapping discoveries of unvoiced knowledge, feelings and imagination that we stumble upon via images. So, the flipsideof loss or pathos can be a freshness of vision or a change of perspective. Above all, nature photography lends to our lives what we long ago lost in our modern abandonment of nature – the experience of wonderment, that sense of discovery, newness and awe.
Take, for example, Ernst Haas's images of dramatic skies, the elements and the seasons. His work, dramatic and inspiring, calls upon our pre-modern imaginations of the world at its most elemental, charged with a dynamic energy.
Photographs can also point out the extraordinary or magical in the seemingly irrelevant, as in Bolucevschi Vitali's prizewinning image of ants poised like dancers in stellar form. Modernised, urbanised and alienatedas many of us are, photographs remind us of nature's many complexities and subtleties. Or, as in Sebastio Salgado's on-going project Genesis that is linked to an equally challenging project at the Instituto Terra to restore Brazil's Atlantic rain forest, photography marries wonderment, amazement and joy to a well-defined and articulated commitment to the planet. It melds fracturesand helps envisage solidarity in our imbalanced and fractured world.
So what moves us to snap a sunset on the horizon, a flowing river, a blossom in spring? The photograph by itself is only a token of a moment gone by. Its power lies in the metaphor, for photography captures our minds more than we capture the subject.
In the case of nature photography, we discover that the battle for sustainability and environmental balance is not something fought "out there", in the distance, but one that ultimately returns us to the natural. Environmental photography matters, because it offers the lifeline of a bridge between our modern, denaturalised, mechanistic mores and the imperativeof nature within and without.
關(guān)于攝影的英語文章閱讀篇三
Pictures... Photos
照片…攝影
They say that a picture paints a thousand words.
他們說一幅照片描繪的是千言萬語。
I have to say I agree. I love photographs.
我必須說我同意。我愛攝影。
I used to be crazy about taking pictures.
我曾經(jīng)對攝影感到瘋狂。
I used to take a lot of black and white photographs and disappear into the dark room for hoursjust to make pictures.
我曾經(jīng)拍過很多的黑白照片,在小黑屋里待上幾個(gè)小時(shí)弄照片。
I enjoy taking pictures and looking at pictures.
我喜歡拍照片,看照片。
One of my favorite photographs is Ansel Adams.
我最喜歡的攝影家之一就是安塞爾•亞當(dāng)斯。
But I don't like to take picture of places or things without people I care about IN the photos.
但是我不喜歡沒有我所在乎的人在地方或事物中的照片。
Recently, because of my cheap digital camera, most of family photos are saved in my computer.
最近,因?yàn)槲业谋阋说臄?shù)碼相機(jī),大多數(shù)的家庭照片都保存在我的電腦上。
I haven't printed out photos or had them developed for a long time.
我很長一段時(shí)間沒有打印照片或把它們放在相冊里。
I should get some done because I have a bunch of empty albums ready.
我應(yīng)該做一些,因?yàn)槲乙呀?jīng)準(zhǔn)備好了一堆空相冊。
I also have some nice wooden picture frames .
我也有一些不錯(cuò)的木制相框。
I try to take pictures of the kids because they are growing up so quickly.
我試著拍些孩子們的照片,因?yàn)樗麄兂砷L得太快。
I want to capture them while they are kids before they grow up on me.
我想要在他們孩提時(shí)代還沒有超過我的時(shí)候捕捉一些瞬間。
I often think about taking pictures with "famous" people that I sometimes work with, but I'm abit embarrassed.
我常常有時(shí)候與我一起工作的“著名”人士合影,但是我有點(diǎn)尷尬。
But other than that, when it comes to taking pictures,
但除此之外,,當(dāng)拍照時(shí),
I'm really not that shy.
我真的沒有那么害羞。
I like to make funny expressions and have fun while taking pictures.
我喜歡在拍照的時(shí)候做搞笑的表情，找些樂子。
I also don't have a problem asking someone to take a picture of my family and me.
對于要求別人為我和家人拍照片，我也沒有問題。
Talk about it:
談?wù)撓旅娴脑掝}:
Are you photogenic?
你上照嗎?
Do you have a "better side"?
你在哪個(gè)位置更好?
Do you have lots of photo albums at home?
你在家有很多的相冊嗎?
Are you shy when it comes to asking people to take your picture?
要求別人你拍照片，你會害羞嗎?
How often do you look at your childhood pictures?
你會時(shí)隔多久看看你的童年照片?
Are you good at taking photo?
你擅長拍照嗎?
Do you have a digital camera?
你有數(shù)碼相機(jī)嗎?
Do you send digital pictures to your friends often?
你經(jīng)常給你的朋友們發(fā)送數(shù)碼照片嗎?
Are you any good at those programs where you can manipulate digital photographs?
你擅長處理數(shù)碼照片嗎?
When was the last time you had a family photo taken?
上次你拍攝家庭照片是什么時(shí)候?
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